Photographers suggested for A2

As a part of the feedback on assignment 1 (see here), I was recommended to look at the work of 3 photographers in preparation for assignment; Joel Sternfeld (1944), Katy Grannan (1969), and Phillip Lorca diCorcia (1951).

source:, by Phillip Lorca diCorcia

I consider three aspects of the photographers’ work:

  • ‘Procurement’ of subjects. An important part of the process of portraiture is finding subjects that are willing to give their time and image to a photographer. The quid pro quo. In Sternfeld’s work Stranger Passing , the approach to the work seems to be described by its title – strangers passing through seemingly random locations, photographed within the context of the moment and engaged with the camera but at a distance (the subjects are aware). The photographs were taken over a period of fourteen years (1987-2001) (Fadedandblurred). In contrast Kern explains diCorcia’s approach; ‘To find subjects for his series Hustlers, Philip-Lorca diCorcia drove around Hollywood between 1990 and 1992 looking for male prostitutes. Although many of the photos look perfectly timed, off-the-hip candid photos of street hustlers, diCorcia pre-selected the locations and did lighting tests with an assistant before searching for a subject to put in each setting’. diCorcia paid his subject the same amount that they would have charged for their trade in sex, with the project funded by a $45,000 National Endowment for the Arts grant.
Source:, by Katy Grennan
Source:, by Katy Grannan
  • The style of the photographer. Eric Kim quotes Sternfeld as saying, ‘Black and white is abstract; color is not. Looking at a black and white photograph, you are already looking at a strange world. Color is the real world. The job of the color photographer is to provide some level of abstraction that can take the image out of the daily.’. This is an interesting perspective; Sternfeld’s work contains a limited colour palette, which provides a level of abstraction that is not immediately apparent as it is with black and white photographs. Grannan also works in colour, with a limited pallet; it is this that allows us to focus on the portrait subject without the distraction of noisy colours, which can quick overwhelm a subject and themselves become the focus of our gaze. diCorcia’s colour palette is subtle, with the look a classic chrome film; muted and with warm shadows.
source:, photo by Joel Sternfeld
  • The story or narrative of the works. Sternfeld’s Strangers Passing feature ordinary people, dressed in ordinary clothes, doing ordinary things. They are not photographed close up to reveal the expressions of their faces or hands but put at a distance in the context of their place, with Sternfeld’s large format camera showing details of both people and place. Similarly Katy Grannan uses the everyday in her work, again within the context of their environments, but with a specific message to the work, for example, the impact of post-traumatic stress disorder, or teenagers serving time in adult prison facilities; there is an element of photojournalism. diCorcia stages his images and uses lighting artificial lighting in making his images; though they are staged in such away as to make them look not obviously staged.

There is careful attention to the story told by portraits in the work of these photographers, either through staging or careful inclusion of the context of place. Limited colour palettes bring an element of the abstract to the work despite it’s rendering in colour.


American Suburbx [website]. Photographer Philip-Lorca diCorcia Talks (2003). Available from: [accessed 8.10.16]

Erik Kim Photography [website]. Kim E (2014). 6 Lessons Joel Sternfield has taught me about street photography. Available from: [accessed 8.10.16]

Fadedandblurred [website]. Put a frame to the world: Joel Sternfeld. Available from: [accessed 8.10.16]

Fraenkelgallery [website]. Katy Grannan. Available from: [accessed 8.10.16]

Luhring Augustine [website]. Joel Sternfeld, Passing Stanger. Available from: [accessed 8.10.16]

National Portrait Gallery [website].Feature Photography/Katy Grannan. Available from: [accessed 8.10.16]

Vice [online magazine] (2013). Richard Kern on Philip Lorca-diCorcia’s ‘Hustlers’ (November 13). Available from: [accessed 8.10.16]


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