Adobe Photoshop CC for Photographers

Over the weekend I read (or at least skimmed) the Martin Evening book, Adobe Photoshop CC for Photographers (2014 release).

I bought this a couple of years ago when first joining the OCA, and have dipped in and out of  but not paid too much attention to it, preferring to take Photoshop tips from YouTube videos (learning by watching).

However, as I approach the end of the level 1 courses I’m making an effort to close any niggling doubts on post processing techniques and decided to go through the ‘bible’ to see what I might find. Here a note a few points that will have a significant impact on my approach to post processing.

  • RAW conversion and basic adjustments. There is an overlap in the tools available within LR and PS and some additional tools in PS (eg for sharpening). It can be puzzling to know what to do where. Evening suggests that the Camera RAW filter in PS has improved to such an extent that there is little need for the sharpening tools in PS for the import and selective sharpening of images. The Camera RAW filter in PS is in fact the same as the basic adjustments and sharpening panel available in LR. Therefore, I see a strong argument for keeping clean ‘master copies’ of files in LR, complete with basic adjustments and input sharpening. The basic processing in LR, eliminates the need for general application of filters in PS such as levels, curves and exposure. One then creating copies (or virtual copies in LR) for further processing for specific uses. I’ll look at tagging these ‘master files’ in some way for ease of identification.
  • There are some finer points regarding the use of the smart selection tool that I didn’t appreciate; most importantly that it remembers the types of area manually excluded (or included) in the selection and makes next step selections base on that (a little like a self-correcting guided missile) – so it is helpful to click and drag while deselecting the are around a picture element for example.
  • I’ve not yet made much use of tools that allow perspective adjustments or liquify – something to play at during spare-time.
  • Finally a mental note to remember that there is most likely a way to perform any kind of manipulation in PS. It may be a better option than setting up an elaborate tableaux in studio.
Image manipulated using various selections to create hint of a floating flower.

 

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