OCA Study visit – Manchester Art Gallery
Hosted by Derek Trillo
Manchester Art Gallery describes the exhibition as, ‘curated by Martin Parr and celebrating the work of leading photographers, including Henri Cartier Bresson, Bruce Davidson, Rineke Dijkstra, Bruce Gilden and Evelyn Hofer… Strange and Familiar considers how international photographers from the 1930s onwards have captured the social, cultural and political identity of the UK. From social documentary and portraiture to street and architectural photography, the exhibition celebrates the work of leading photographers … Bringing together over 250 compelling photographs and previously unseen bodies of work, Strange and Familiar presents a vibrant portrait of modern Britain.’
There is a catalogue of the exhibition, which unfortunately was not available for purchase at the gallery. However I’ve ordered it and will consider in more detail the photographs featured once I have the catalogue. In this post I reflect on my overall impressions.
Before visiting the exhibition, I wondered whether the eyes of international photographers would select anything different from a British photographer might have chosen to photograph. However, there was nothing. Perhaps because the eye of trained photographers everywhere is looking for interest in the banal. What I did find is there was something in the style of some photographers that seemed typical of their own culture and strange with British subject matter, particularly in the case of some of the Japanese and American work.
From a personal perspective, I found the photographs ‘strange and familiar’. In the rapidly changing world photographs from previous eras (even those I remember from my early childhood) seem alien and dream-like. An example is the bus conductor and postman featured above in their smart uniforms. It was not only temporal distance that created this impression, it was geographical distance – in reality I see more of some foreign countries than I do of some parts of the UK (many of which I have never visited). We are limited in our capacity to be visit many different places, so they remain strange but familiar through information we receive through different channels.
I thoroughly enjoyed the exhibition and found the theme of ‘strange and familiar’ successful in bringing together a fascinating collection of photographs from masters of the art. Perhaps that is enough to justify Parr’s theme.
The Guardian [0nline]. Jack I (March, 2016). Strange and Familiar indeed – these photographs of the life I lived are eye-opening. Available from: https://www.theguardian.com/commentisfree/2016/mar/19/strange-and-familiar-barbican-photographs-of-life-i-lived-are-eye-opening [accessed 11.4.17]
Manchester Art Gallery [website]. Strange and Familiar: Britain as Revealed by International Photographers. Available from: http://manchesterartgallery.org/exhibitions-and-events/exhibition/strange-and-familiar/ [accessed 11.4.17]
Snaps of introductions to featured photographers
Click to view as gallery