Three visits in one day with Derek Trillo – sounded like it might stretch my powers of concentration to the limit, but the time seemed to fly by. Good company and good art.
No photographs were allowed throughout the exhibitions, which is going to mean this write-up will lack visually. I do feel exhibitors are missing a publicity trick here – I would share iPhone snaps to Tripadvisor or Facebook and perhaps others would be encouraged to visit. Do they really imagine anyone’s going to make a high quality reproduction with prints behind glass and gallery lights shining on it?
Britain in Focus at the Science and Media Museum (SMM instead of NMM, I suppose we now call it) accompanies the excellent BBC 4 TV series exploring the history of British photography from the 19th century to the present day. The series was presented by photographer Eamonn McCabe – it is no longer available on iPlayer, but I assume can be purchased from the BBC store. Many of the artists featured were already familiar to me, including the ubiquitous Martin Parr. But John Bulmer was not, and his colour photographs of Northern England were particularly striking, standing in stark contrast to the b&w work of Bill Brandt using similar subject matter.
This exhibition was interesting to compare to the one I saw during the previous OCA study visit, which featured international photographers’ work about Britain, The Strange and Familiar. At the time of the previous exhibition, I was bemoaning the fact that much of the work we study is that of American photographers and it feels like there is an under-representation of native culture. It could simply be down to Americans often being masters of publicity that they achieve higher profiles, or that there are more of them, but I find it strange nonetheless. Again here, the Britain in Focus exhibition was confined to a single room only, to cover the whole of British photographic history, whereas I lost track of the space taken with the Strange and Familiar exhibition it was so extensive. There is perhaps something to learn about the power of publicity in all this.
The Poetics of Light pinhole photography exhibition, also at the SMM, was a surprise to me and I think many of the other students. Prior to the visit I wasn’t expecting much and I thought of pinhole cameras as toy-like. However, I was stunned by the quality of work on display, so much so that I’ve order the catalogue of the exhibition from Wordery online (£15 less than the £50 at SMM). The experimental nature of the cameras used (including a VW camper van, a soup can, cigarette packet and underwater contraption) and the work produced was fascinating; some of the work was surreal, as if we were viewing our world through alien eyes; some cameras featured multiple pinholes.
I am drawn to experiment with pinhole photography, which would inevitably mean getting my hands dirty with some old-fashioned chemicals – I’m somehow not so attracted to modifying a digital camera into a pinhole camera, though one fellow student mentioned that she was already doing so. The output from these primitive devices is very different in quality to standard photographic output and I suspect the photos marketable as unique objects.
The last exhibition, Mother River, was in the Impressions Gallery across the road from SMM and generally received with less enthusiasm than the first two exhibitions of the day. My impression was that the process of taking equidistant images along the course of the Yangtze river was more of a priority than taking images that were visually stimulating. This can be contrasted with Zhangkechun’s work, linked below, which focuses on the same river but engages the viewer in questioning what is happening in the images with their powerful juxtapositions of landscape with the unexpected. However, I will not say too much about Preston’s work at this time, as I will soon be attending a workshop with her at the Impressions Gallery and I hope to gain further insight then.
A thoroughly enjoyable day and great chance to catch up with some familiar faces and see some new ones.
Britain in Focus at Science and Media Museum [website]. Available from: https://www.scienceandmediamuseum.org.uk/whats-on/britain-focus-photographic-history [accessed 27.5.17]
The Guardian on John Bulmer’s photographs of life in Northern England (Wainwright M, 2010). Available from: https://www.theguardian.com/artanddesign/gallery/2010/jan/29/john-bulmer-photographs-north [accessed 27.5.17]
John Bulmer [website]. Available from: http://www.johnbulmer.co.uk [accessed 27.5.17]
Mother River by Yan Wang Preston at Impressions Gallery [website]. Available from: http://www.impressions-gallery.com/exhibitions/exhibition.php?id=80 [accessed 27.5.17]
Poetics of light: pinhole photography at Science and Media Museum [website]. Available from: https://www.scienceandmediamuseum.org.uk/whats-on/poetics-light-pinhole-photography [accessed 27.5.17]
Zhangkechun [website]. The Yellow River. Available from: http://www.zhangkechun.com/the-yellow-river [accessed 27.5.17]